"That Toddlin' Town" Medium Swing Tempo

Traditional Hymn - Arr. as a Medium Samba

Funk Rock Groove

Slow Funk - Part of Thad's "Suite For Pops"

Med. Fast Blues in Bb

Relaxed Cool Jazz Feel

"Thad" in a Basie Groove

Commissioned by Jim Dragovitch, director of the GW Hewlett HS Jazz Ens., this 16 bar tune features a unison melody carried by the trombones & tenors and plenty of Full Ens with short stop time before the solo sections. The head, based on "Doxy" changes is followed by solos on 12 bars Bb Blues chords and a solid 12 bars of Full Ens before the head returns. MED TEMPO JAZZ in Bb

"Funky Scrooge" has a hip smooth jazz feel to it while retaining strong funk elements. The opening line features a Trumpet, Alto and Tenor unison followed by added horns with some simple background figures. The solo sections is based on (1) chord making solos readily accesible by many of you students. You students will dig this chart.

Based on the changes to "I Got Rhythm", this happy calypso style composition will add variety to your programming and will keep you students on their toes cut time. Scored in cut time at a Medium Gr. 3+ Level , this chart creates a fun groove to play and to listen to. MED TEMPO CALYPSO GROOVE

This talented young writer and student of Mike Carubia has composed and great medium tempo Blues in Bb that captures the small group feel of the Blue Note recordings in the 1950's & 60's for the full Jazz Ens. Great ensembles and stop time section for the horns. MEDIUM TEMPO Bb Blues

Real Funky and not too difficult. You students will love this one. Can be opened for extra solos. Short "shout" chorus and short rehearsal time for this one.

This hip samba is exciting to play with an eight measure solo section using tonic & dominant chords in C minor. Easy Ranges Optional Higher notes provided. (Works with 4-3-2-3)

Written in the style of Sammy Nestico and the Count Basie Orchestra this composition captures the feel and excitement of the Basie band with limited brass ranges at a Grade 3 Level. (med --easy) 16 Bar Solos written out for Tenor Sax & Trumpet with an Opt Sax Soli which an be played in place of one of the solos. Beginning and end features solo spots for the drums. MEDIUM FAST SWING TEMPO

A pleasing melody set as a ROCK BALLAD features short melodic solis for the saxophone section and trombone section and written melody solos for piano, tenor sax and trumpet.

Stylistically similar to a Spyor Detective Thriller movie theme, this ROCK chart will please the your younger bands and audiences alike. Both the melody and solo changes are based on one chord (F7) to allow the inexperienced soloist to stretch out.

This simple LATIN based tune written in mostly unision, octaves, counterpoint and block harmonies. This chart will rehearse quickly and sound full with little problem. Solos are written out for tenor and trumpet but may be opened for other soloists.

Remember "Moanin"? Carl has done a great job with this at the HS, Middle School or Jr. High Level. Blues in F (Playable with a smaller group)

"Effective Etudes" has become one of the best selling Jazz Etude books on the market. The etudes are based on some of the great standards and jazz tunes; When You're Smiling, Moonglow, Perdido, Pennies From Heaven, How High The Moon, I've Got Rhythm, What Is This Thing Called Love, Blues in Bb, Blues in F and many more. These Etudes are graded studies written from grades 3-6. All etudes contain annotations which explain the harmonic and melodic aspects of each phrase. In addition, a chord chart placed above each etude will help students understand the melodic and harmonic relationship to the chords.

Books contain CD's tracks with rhythm section accompaniment and tracks with a soloist performing the written etude in each of the books. Great for classroom unison studies or individual practice.

Published for: Flute, Alto Sax, Tenor Sax, Baritone Sax, Trumpet, Trombone, Piano, Bass, Guitar. $19.00 (Piano - $21.00)

Book Two is on it's way to the printer for a Fall release.

Medium tempo Blues in F that really drives. Very player friendly with written solos a solid Shout Chorus and an ending drum solo. Can be opened for more solos. Same scoring standards used in Don't Get Sassy.
8 brass, 5 saxes, 4 rhythm, Opt. Flute (Playable/w  4 Sx., 3 Trp., 2 Trb., 3 Rhy.)

Technical & Jazz Rock style re scored to be performed by high school and college jazz ensembles. Range demands reduced while maintaining the "Thad Jones sound." Lots of unison  and block soli sections .  Your students will love this one. Sounds  more difficult than it plays.
8 brass, 5 saxes, 4 rhythm, Opt. Flute (Playable/w  4 Sx., 3 Trp., 2 Trb., 3 Rhy.)

"The Farewell" is the third part of Thad's "Suite for Pops" completed in 1973 and recorded for the first time in 1975. This movement reflects the joyous retreat associated with funerals typical in Louis Armstrong's home town of New Orleans. Adjustments made to this Thad gem make it a very playable addition to the catalogue. The written trombone solo section may be opened up for additional soloists followed by plenty of exciting ensemble for the whole band to sink their teeth into. (Scored to sound complete with 4-3-2-3)

"Who Me" is one of the best scorings of the blues you are likely to hear. Originally scored in Bb concert, this re-scoring a fourth lower to F contains all of the skillfully penned structure written for the Count Basie band by Frank Foster in the early 60's. The high note trumpet at the end may be omitted, played as written, improvised or with the Opt. lower notes provided. Written solos. (Scored to sound complete with 4-3-2-3)

"US" is a wonderful Gospel/Rock composition a perfect 4th below Thad's to making it accessible to younger players. Thad utilized the "a cappella" brass soli, supported by the saxes in this arrangement, producing a solid funk/rock/gospel piece that students and parents will both enjoy. Interestingly, this is one of the few big band charts Thad wrote without solo space. (Scored to sound complete with 4-3-2-3)

"Second Race" once again shows Thad's attention to form. Constructed to highlight the tenor sax solo, yet perfectly setting up the two ensemble choruses which follow. Thad has once again created a masterpiece from the time honored blues in F major. (Scored to sound complete with 4-3-2-3) Note to arrangers: Check out Thad's treatments of the last 4 measures of this composition.

This tune is based on the changes to "I'm Getting Sentimental Over You" but at a medium swing tempo. This chart is "real jazz" by a true Master made playable by HS & College bands Mike Carubia

Need a hip funky rock chart. Thad really scored a winner here. Originally recorded for the Central Park North album in 69 this chart has never been released. Thad at his peak re-scored for today's young stars by Mike Carubia.

This beautiful Bossa Nova shows us Thad's sensitive side. Re-scored by Mike Carubia .(No ww Doubles (Scored to sound complete with 4-3-2-3)

A real Thad Classic made accessible by Mike Carubia. Higher brass notes removed, sax soli re-scored & it still sounds like Thad (Scored to sound complete with 4-3-2-

This Thad Jones composition has been re-scored for performance by high school & Jr. high bands. Technical and range requirements have been reduced without compromising the " Thad Jones sound." The easier of the 2 "Sassy" arrangements. Solos , piano voicings and bass parts written out.
8 brass, 5 saxes 4 rhythm , Opt. Flute (Playable/w  4 Sx., 3 Trp., 2 Trb., 3 Rhy.)

This happy Shuffle/Swing is the least difficult in the series.   Solos are played over F7 & Eb7 so almost anyone can try improvising on this one. As always, playable with less than a full band with lots of unison and block ensemble chords. High school and Jr. high students can handle this one on short notice.  It's simple, but it Swings!
8 brass, 5 saxes, 4 rhythm, Opt. Flute (Playable/w  4 Sx., 3 Trp., 2 Trb., 3 Rhy.)

This driving rock piece will rehearse easily and provide your students with an enjoyable piece that sounds harder than it is.

Carl has created a dynamic chart at a moderate difficulty level that gives you that hot latin chart you've been looking for.

A real crowd pleaser at an easy level. Kids love it too. I've performed it with my high school group and the Jr. High in the district played it too. A real winner!

This tune will remind you of all those Blue note records you bought over the years. Moderate in tempo, difficulty level and full of surprises. Not quite a Blues in F---better!

This bossa Nova/Swing is easy to play and sounds great. Matt is our newest composer who teaches at the Middle School level in Vermont. Great for your young band. Check it out on the Web.

This uniquely scored Mambo style chart allows for the conductor to choose the form of the chart. By writing some sections in "loops" or "Cells", sections can be added a various times to allow a different performance each time is is played. Have Fun with this one!!  All solos played on only one chord or scale.  Great for your shy soloists.  Get your rhythm section going with congas, bongos, timbales, cow bell etc.. for a real authentic Mambo sound.  Optional Afro-Cuban percussion parts included.
8 brass, 5 saxes, 4 rhythm, Opt. Flute (Playable/w  4 Sx., 3 Trp., 2 Trb., 3 Rhy.)

One of the countries leading educational writers for jazz ens., chorus, concert band and orchestra, has written a "hip hop" piece at an easy level that kids should really dig. Ranges are moderate (check the lead parts on the web site) with optional higher notes if you have the horses. Written solos.

"Sin Palabras" (Without Words) was written for Rich's "Bad Little Big Band" and was perfectly suited to be re-scored for full jazz ensemble. Rich did a wonderful job making it playable for the educational marketplace. The relaxed Latin style will be a pleasant addition to any concert program. All high notes on the recording are optional and all solos are written out.

"Funky Jeans" is a funk style blues in C concert. Written in a "Thaddian" style, this original tune features some creative ensemble writing and sounds more difficult than it is to play. The funky groove will make this an instant hit with your students. (Scored to sound complete with 4-3-2-3)

This original even eighth ballad is written to allow multiple soloists. By leaving out the appropriate section part and substituting the Opt. Solo part, you can feature Alto, Trumpet, Tenor, Trombone, Guitar, Flute or even piano as the featured soloist. Great for giving your students a chance to play a solo with big band accompaniment or for your guest artist to perform. Easy Gr.2 accompaniment--- jazz solo written or ad.lib.

Talk about a high energy, happy Funky/Hip Hop that sounds much harder that the written parts, well this is it. Simple, contemporary changes make solos a breeze and place this piece in the "must have" category. Features a three horn Alto, Tenor, Trumpet melody to start.

This extended blues form shifts from a Swing Shuffle to a Funk bridge then back again. Lots of excitement, easy changes to blow on with a chance to open for more solos, if desired. Optional lead trumpet notes save chops but won't take the energy away from this chart.

"Mongo's Mood" is a hip Samba with firm roots in both the Blues and Salsa. Chris had done a great job in keeping this at a reasonable playing level while still being quite hip. This one should fit perfectly into your balanced programming format.

As the only vocal selection in our catalogue, we have chosen this swinging blues arranged by Duke Ellington expert Dave Berger. Written for Dave's "Sultans of Swing Big Band", "Busy Woman Blues" captures the essence of the blues that allows for individual vocal interpretation by your male or female vocalist.

This swingin' minor blues features a unison sax melody and plenty of call & response between brass and saxes. A simple but effective shout chorus leads back to the head harmonized this time for saxes. Solo sections can be opened up and it this charts ends with a spot for your drummer.

Has the feel of L'il Darlin' but quite different melodically and harmonically. Piano solo in the middle and a nice short shout section at the end. Easy to play and very smooth.