New!
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NEW for 2017-2018
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SCM-1135-00 Gr. 4 'Fender Bender' by Chris Scarnato NEW for 2017!
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If you are looking for a modern, very swinging Blues your students can handle, Chris Scarnato has nailed one for you. This chart is modern “Basie” big band jazz in the friendly key of B-Flat Concert that makes for a great opening or closing chart that your students will really enjoy playing! Solo sections may be opened up playing backgrounds on cue. Medium Fast Tempo 1/4=162

SCM-1136-00 Gr. 3.5 'Southern Borders' by Mike Carubia NEW for 2017!
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This 16 measure melody suggests the sounds of the Southeast US. This piece opens with a 4 measure hymn, leading into the opening 16 measure melody, and then to a full band ensemble without the rhythm section. Both your students and the audience are sure to enjoy the dramatic sound of this ensemble “acapella” style. This piece is a refreshing challenge for students, and has solos written for Tenor, Trumpet, and Trombone, as well as several drum solo sections.

SCM-1137-00 Gr. 3.5 'Mi Amigo Mi Mentor' by Erik Sherbourne NEW for 2017!
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This exciting Medium Fast Samba is very playable and melodic. Great unison lines set up the themes, and make it easy to get into the groove before the solos. A powerful interlude leads to a strong ensemble, and then a DS to the original theme with a short closing using the melodies in the main themes. This chart is a must have in your folders! It is my favorite in this year’s catalogue!

SCM-1138-00 Gr. 4 'Funkamania' by Joe Schaefer NEW for 2017!
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Joe Schaefer has a real handle on the modern funk/rock groove. This chart is sure to please both your students, and the audience. Great sax writing keeps the piece growing after the melody is started, and sets up solo sections which can be opened up for any instrument. Got a hot guitarist? There is also room for an extended drum solo at the end if you wish. Written at a medium tempo, it is very playable.

SCM-1139-00 Gr. 2.5 'Road Trip' by Carl Strommen NEW for 2017!
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Leave it to the master, Carl Strommen, to write a simple melody and make it fun to play and listen to. This is the perfect choice for bands that have limited rehearsal time! Road Trip is so well written and sounds great without overly challenging melodies and harmonies. Solo section for all on ii-7/V7 in Concert F. A winner for sure!

SCM-1140-00 Gr. 3 'A Quiet Heart' by Pete McGuinness NEW for 2017!
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This beautifully composed rock ballad features your lead Alto player. Rich harmonies in the accompaniment parts make for a lush cushion for the soloist. The improvised section includes chord changes and a written solo as an option. This composition makes a great addition to your program and to your catalogue for future performances! Check it out on the CL Barnhouse or Smart Chart websites.

SCM-1141-00 Gr. 3 'Five Got The Blues' by Bill Conway NEW for 2017!
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Need something different and playable? Well, this is it! This long overdue composition by my editor and right hand man at Smart Chart Music, Mr. Conway, is at the perfect tempo of 1/4=120, making it very easy to play. It includes written solos for Trombone, Trumpet, and Bass. Your students will enjoy playing this one, and it will be a refreshing addition to your programs for years to come!

SCM-1145-00 Gr. 3 'Eleventh Hour' by Steve Briody NEW for 2017!
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Need a Swing/Shuffle in your new catalogue? Steve Briody has created a great groove with this composition. This driving, energetic shuffle feel will keep your players engaged and will put a smile on their faces. What’s not to like about a bluesy shuffle? Ranges are reasonable, and solos are written in the parts for Tenor and Trumpet. Don’t forget your guitar player when it’s solo time!

SCM-1146-00 Gr. 3 'Dis is Dat' by Mike Carubia NEW for 2017!
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Here’s something different and very playable for your students. It opens with a semi-top time feel with a bluesy melody in F minor, followed by 4/4 Swing on standard minor blues changes. This chart provides great variety, and includes written solos for Tenor and Trumpet. The shout chorus features stop time with the brass and reeds alternating. Moderate brass ranges. If you are looking for something a little different, this is it!

SCM-1122-00 Gr. 3 'Backstop' Comp & Arr. by Mike Carubia NEW for 2016! JW Pepper Editor's Choice!
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Backstop is a medium tempo Blues in F with moderate brass ranges with a unison saxophone line stating the melody followed by a soft ensemble and a strong ensemble leading to the solos. A great opener with minimal rehearsal time needed for this piece.

SCM-1123-00 Gr. 3 'No Chance of Losing' Comp & Arr. by Erik Sherburne NEW for 2016! JW Pepper Editor's Choice!
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Written by one of our newest composers, Erik has crafted what he describes as “Determined Rock” with lots of call and response and limited brass ranges. Plenty of unison lines and interesting rhythmic writing. A very energetic piece with blues changes for soloist’s and great use of contemporary rhythms..

SCM-1124-00 Gr. 3.5 'Hopscotch' Comp & Arr. by Joe Schaefer NEW for 2016! JW Pepper Editor's Choice!
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Joe Schaefer has written a great Hip/Hop feel into this composition using great funky lines and plenty of solid ensemble writing. One chord (Blues scales) for soloists. This ones is “Hot and Energetic” A real winner for your students.

SCM-1125-00 Gr. 2.5 'Over Easy' Comp & Arr. by Carl Strommen NEW for 2016! JW Pepper Editor's Choice!
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Great writing for all sections with some solid section and ensemble writing at a Moderate Swing tempo. A great composition to have your students groove with the Count Basie Style of ensemble at a reasonable tempo. Written solos and a great melodic and stylistic piece for students to experience..

SCM-1126-00 Gr. 2.5 'Quiero Mas' Comp & Arr. by Mike Carubia NEW for 2016! JW Pepper Editor's Choice!
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This moderate tempo Latin style composition has plenty of unison and ensemble writing which cuts down on your rehearsal time and is a very energetic composition which with please your students and please your audience.

SCM-1127-00 Gr. 3.5 'Soulful Swagger' Comp & Arr. by Pete McGuinness NEW for 2016! JW Pepper Editor's Choice!
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Pete came to Smart Chart Music three years ago last year and he has composed another gem. “Soulful Swagger “ in a Medium Funky Groove style has plenty of energy and driving Ensemble sections to keep the “Funky Groove” cookin’ ! As a faculty member at the William Patterson College in New Jersey, Pete is well in sync with contemporary big band music in all styles.

SCM-1128-00 Gr. 3 'Swagtastic' Comp & Arr. by Steve Briody NEW for 2016! JW Pepper Editor's Choice!
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Steve’s experience playing Guitar with the Rippingtons and many other funk groups in the NY area has enabled him to craft this “Medium Bouncy Funk” groove with great lines and really funky rhythm section writing. Nice call and response in the horns keeps this composition driving forward and fun to play. Solo is written for the tenor sax and the guitar has room to solo as well.

SCM-1129-00 Gr. 3 'Hunk O Funk' Comp & Arr. by Carl Strommen NEW for 2016! JW Pepper Editor's Choice!
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Carl has composed a very groovy, straight forward Funky tune that has plenty of dialogue between the saxes and the brass complimented by some powerful ensemble writing. Solos are on two chords on which a blues scale may be used.

SCM-1130-00 Gr. 3 'Summer Soulstice' by Erik Sherbourne NEW for 2016! JW Pepper Editor's Choice
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This second composition by Erik is a beautiful relaxed feature for Flugelhorn or Soprano Sax. Erik's tempo marking indicates this composition is to be played in a “Soulfully Cool” manner. It’s very well composed and orchestrated with all solo parts for the soloist written out.

SCM-1131-00 Gr. 3 'To You' Comp by Thad Jones/Arr. Mike Carubia NEW for 2016! JW Pepper Editor's Choice
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This is one of Thad’s most beautiful ballads which I chose to re-score in a lower key but kept all of Thad’s lines. I notated all of the breathing spots and dynamics to help students re-create this masterpiece by Thad Jones. This is also a great teaching piece that requires control and good intonation. Optional matching SATB Vocal parts for a combined performance with the Jazz Ens.

SCM-1132-00 Gr. 3.5 'A Warm Tropical Breeze' Comp & Arr. By Joe Schaefer NEW for 2016!
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This starts out like a warm tropical breeze but grows in intensity as the chart develops into an exciting hard driving Latin Style composition everyone will enjoy. Great writing with 2 chord solo changes which will give more of your students a chance solo.

SCM-1133-00 Gr. 3 'Chromatically Yours' Comp & Arr. by Mike Carubia NEW for 2016! JW Pepper Editors Choice!
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This relaxed even 1/8 rock feel is full of short chromatic lines and fills to help your students work some practice with chromatic lines into their playing. Two chord solos chords make the soloing easier for your soloists. A call and response ensemble chorus between the Brass and saxes finishes this chrt of on a high point.

SCM-1134-00 Gr. 3 'Hot Rockin' Comp & Arr. by Mike Carubia NEW for 2016! JW Pepper Editors Choice!
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Hot Rockin’ is full of energy all the way with kickin’ backgrounds behind the the soloists then to a drum solo- DS and a strong ending. Your students will love this one. Once again the solos are played over two chords…. Concert G7 and C7. Get “hot” with this one.

SCM-1110-00 Gr. 3 'Rockamania' by Mike Carubia
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Rockamania is a driving rock composition with a bold intro and ending that keeps the excitement high all the way through. Minimal rehearsal time needed for this piece.

SCM-1111-00 Gr. 3 'Almost The Blues' by Mike Carubia
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A moderate tempo rock groove with plenty of unison. Call and response passages start the melody. Solos are based on two chords in the friendly key of Bb. Two 8 measure ensemble sections follow the solos then to a quick ending. Very upbeat and an easy play for your inexperienced band.

SCM-1112-00 Gr. 3.5 'Leapin' Lizards' by Andy Farber
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Andy Farber is an expert on the swing style and works closely with Wynton Marsalis on many of his projects for the band and for accompanying vocalists and great instrumental soloists. This chart is indicative of his ability to write for students as well. Ranges are moderate, and the chart really swings.

SCM-1113-00 Gr. 4 'Dawg House' by Steve Briody
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This funk chart is very well written and offers a contemporary sound your students will love with a two chord solo section that all of your students could handle. Great writing for all sections with some solid section and ensemble writing.

SCM-1114-00 Gr. 3.5 'Salsa Nights' by Pete McGuinness
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Pete composed this piece based on his love for the many Latin bands he has worked with. All parts are orchestrated with the authentic Latin based big band sound. Written solos are supplied for trumpet, alto, and trombone with backgrounds when cued. Moderate high ranges with optional notes provided. A great addition to your library.

SCM-1115-00 Gr. 3 'Early Blue Evening' by Andy Farber
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I assigned this composition to Andy Farber because he is a master at writing for saxes. The lead melody is handled by the 1st alto, supported by tasty brass backgrounds and soli sections. This chart is a great feature for the whole band.

SCM-1116-00 Gr. 4 'Barbeque Ribs' by Mike Carubia
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Based on slightly altered blues changes, Mike has created another winner to follow the success of his "Barbeque Wings" and "Barbeque Sauce." A real funky intro sets up this blues but strays occasionally with some creative transitional material. Solos are based on the blues in the key of C-concert. Rehearsal time is held to a minimum as much of the material presented in the beginning shows up at the end. Features solos spaced with cued backgrounds. Real hot big band funk.

SCM-1117-00 Gr. 3.5 'Readin' Between The Lines' by Mike Carubia
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This up tempo jazz composition not only features the drummer, but it contains plenty of ensemble intertwined with the drum solos. Written in the tradition of the later Count Basie band, this chart will work as a great opener or closer for your concert.

SCM-1118-00 Gr. 3.5 'Horace's Bag' by Pete McGuinness
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Pete has captured a funky groove that is reminiscent of the great Horace Silver's writing in the 1960's. Originally referred to as the Boogaloo style, this chart has a touch of R&B built in. Very playable, bluesy but not blues changes.

SCM-1119-00 Gr. 3 'Tampico' by Carl Strommen
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Carl has crafted a very playable Latin chart that will be a great addition to your concert. Written solos, medium tempo with great melodies, and hip harmonies.

SCM-1120-00 Gr. 4 'Cross Talk' by Joe Schaefer
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A medium tempo (1/4 = 120) featuring plenty of call and response, hence the title "Cross Talk." A must for your library as it presents the classic big band Basie sound with the emphasis on call and response. Written solos with plenty of solid ensemble writing.

SCM-1121-00 Gr. 3 'Canal Street Commotion' by Mike Carubia
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This chart features the sound of a New Orleans funeral marching band historically known as the "Second Line" behind the family and casket. It's a time for celebration coming after the intiail mourning period. Lots of fun to play in the style of a funky, marching Dixieland band. The harmonic form is the blues and there is room made for soloing both inside the ensemble and with individual featured solos.

SCM-1098-00 Gr. 4 'Tip Toe' by Thad Jones/Mike Carubia
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From the 1970 Album "Consummation" this Med Tempo "Rhythm" tune has been re-scored by Mike Carubia capturing the essence of this Thad Jones classic. Great sax section soli to open this one up with a simplified unison Trombone soli gives all sections a chance to shine. The shortened version will please both students and audiences with the familiar "I've Got Rhythm" chord changes. Med Swing Tempo (Written solos are provided on the parts.)

SCM-1099-00 Gr. 3.5 'Groov-i-tude' by Pete McGuinness
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A moderate tempo Funk/Rock groove with plenty of unison and ensemble parts. Solos are based on two chords in the friendly key of Bb. A unison "call & response" section follows the solos then it's back to the bridge. This one sounds more difficult than it is.

SCM-1100-00 Gr. 3 'Blues For Miles' by Freddie Hubbard/Mike Carubia
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This new addition of Freddie Hubbard's music will light up many faces. Freddie describes this as "Hip Hop Funk" on the CD entitled "Blues for Miles". A very funky unison melody leads to a "stop time" chorus for the saxes for these slightly altered Bb Blues changes. Solos follow then a rock flavored Shout chorus takes us back to the head. A fun chart for all that your students will really enjoy playing. 12 Bar Blues Form in Bb.

SCM-1101-00 Gr. 3.5 'Footsteps' by Steve Briody
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One of two new writers on the staff, Steve has composed an exciting Latin Style piece which he wrote for jazz saxophonist Eric Alexander's which Steve also played on. A contemporary jazz latin groove, fine orchestrating written at a moderate level to be a welcome addition to your jazz ensemble repetoire.

SCM-1102-00 Gr. 3.5 'The Little Dipper' by Mike Carubia
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Mike wrote this piece in 1969 and modeled around the Thad Jones sound. This medium tempo Blues in B flat opens with a unison brass melody which is repeated with saxes playing the background harmonies. Following the solos a quiet ensemble chorus builds to an exciting "Shout Chorus" (repeated) then back to the head. Very flexible for soloists in an easy Blues Key (Bb). Moderate high ranges with optional notes provided. (No written solos for this Bb blue form)

SCM-1103-00 Gr. 3 'To Her Ladyship' by Freddie Hubbard/Mike Carubia
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Freddie Hubbard's writing has primarily devoted to small groups but this, and many others, are well suited for the full jazz ensemble. This moderate tempo Latin/Contemporary groove will have your ensemble sound "fresh" and up to date. The opening unison melody features Alto, Flugal Horn with an Opt Flute part. Short solos (written or improvised) with a simple but powerful Shout Chorus with drum solo fills will make this a great audience pleaser as well.

SCM-1104-00 Gr. 3 'Funky Stuff' by Joe Schaefer
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Joe Schaefer was a student and colleague of Hall of Fame jazz educator Clem De Rosa since Jr High. Joe replaced Mr. De Rosa when he retired from teaching. As a fine trombonist and great arranger, I asked him to write a Funk chart for Smart Chart and he came up with a beauty. This hip composition will please your students with its hip lines and great writing. (Minor Blues-Funk)

SCM-1105-00 Gr. 3 'Charleston Shuffle' by Andy Farber
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Andy has become one of our best selling writers and this accessible chart proves why. This chart could have come straight out of the Basie library except for the fact that it has a touch of R&B built in. Very playable, bluesy but not blues changes. Shuffle Swing.

SCM-1106-00 Gr. 2.5 'America the Beautiful' by Katharine Lee Bates & Samuel A. Ward/ Arr. Carl Strommen
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This patriotic song will refresh the spirit of America's greatness at your concert. Carl Strommen has created a heart warming rendition of one of our country's most patriotic songs. Opening with a solo trumpet and building to a dazzling finish, this arrangement gets better all the way to the end. A must for your Jazz Ensemble library.

SCM-1107-00 Gr. 2.5 'Laurie' by Carl Strommen
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Carl composed this beautiful ballad in his daughter's name as an Alto Sax feature. It is written to allow an Opt Trumpet or Trombone to play the solo part. This med slow Rock Ballad will round out your program and allow you to feature one of your solid players. Little rehearsal time is needed to get this one together and it will sound great quickly.

SCM-1108-00 Gr. 4 'Ahunk Ahunk' by Thad Jones/Mike Carubia
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This 5/4 blues composition recorded on the "Consummation" album in 1970 will give your students a chance to experience playing in an odd meter. Lots of unison will help hold your students together in this moderately scored version of Thad's original. Open solo sections on Blues in Bb chord changes with 2 exciting shout choruses for the band to wail on. Fun to play! Re-scored to a playable level. Optional High and Low 1st Trumpet parts.

SCM-1109-00 Gr. 3 'Shag Bag' by Andy Farber
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Originally written for his 6 horn group, Andy has expanded this funky Boogaloo for a full Jazz Ensemble. Really funky 1960's groove. Fun to play and does not require much rehearsal time. Written solos with moderate ranges for all.

SCM-1087-00 Gr. 3 'March Bopish' by Mike Carubia
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This Jazz/Swing chart starts with a march feel a la "Blues March" by Freddie Hubbard but transitions into a straight ahead jazz 4/4 feel for solos on familiar 16-bar changes. Very playable, easy ranges with some Thad voicings sprinkled in. Written solos. Written Ranges: Trp. 1 (Bb w/ optional A) , Trb. (Ab) , Alto (D)

SCM-1088-00 Gr. 3.5 'Barbeque Sauce' by Mike Carubia
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This new funk chart will please both students and audiences with its funky feel and blues based melodies. Solos are a piece of cake with only two chords or one scale to negotiate. Concert F7 and Eb7. If you like "Buffalo Wings" you'll like this one, too. Solo scale options in parts. Written Ranges: Trp. 1 (G) , Trb. (F) , Alto (D)

SCM-1089-00 Gr. 3.5 'Sadie's Sister' by Pete McGuinness
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Arranging and Composition professor at William Paterson University Pete McGuiness has written this medium groove gem. It swings hard and has plenty of ensemble and unison passages with a blues feel - though it's not a blues form. You'll like the breaks in front reminiscent of "Sister Sadie" by Horace Silver. Written Ranges: Trp. 1 (Bb) , Trb. (G) , Alto (E)

SCM-1090-00 Gr. 2.5 'Turbo Rock' by Doug Wood
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Originally written for a media project and rescored for school bands, this hard-driving retro rock piece is an easy-play with big impact. You may even hear this as a jingle one day! Blues chords in F. Written Ranges: Trp. 1 (G) , Trb. (Eb) , Alto (C)

SCM-1091-00 Gr. 2.5 'Puerto Del Sol' by Carl Strommen
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Carl has created a very playable medium latin groove with a strong intro and flowing unison melody. The full ensemble joins in before the first solo which enters and exits with a unison montuno for the rhythm section. The pleasant melody, written solos, easy ranges and even 8th feel throughout make this a winner needing little rehearsal time. Written Ranges: Trp. 1 (A) , Trb. (F) , Alto (C#)

SCM-1092-00 Gr. 2.5 'It's A Minor Thing' by Ray Ortiz
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A hard driving rock chart with mostly unison lines will be a favorite with your students. A 16-measure swing section in the middle keeps your students honest and the contrast is effective. Solos are on 2 chords in C minor. Written Ranges: Trp. 1 (Ab) , Trb. (F) , Alto (A)

SCM-1093-00 Gr. 3.5 'Rhoda Map' by Thad Jones/Mike Carubia
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Named after jazz organist Rhoda Scott, this was a fovorite of the Mel Lewis Orchestra and displays the classic Thad Jones harmonic and melodic approach to writing for a big band. Not as well known as "Don't Get Sassy" or "Tip Toe", but it is a great one. You can hear the Mel Lewis Orchestra perform it on a cd titled "The Definitive Thad Jones" from 1988. Written solos. Written Ranges: Trp. 1 (A) , Trb. (G) , Alto (D)

SCM-1094-00 Gr. 3 'Manhattan Dance Party' by Mike Carubia
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This retro swing style piece will be enjoyed by students, parents, and grandparents, and will be great in a concert format or a senior citizen dance popular at many schools. It really swings and it's fun to play. Written solos. Written Ranges: Trp. 1 (Bb) , Trb. (F) , Alto (B)

SCM-1095-00 Gr. 3 'Cruisin' With The Count' by Andy Farber
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This mainstream Count Basie style chart delivers and provides your library with the sound of jazz big bands in the late 40s into the mid 50s. Great teaching piece that is very playable and swings! Written solos. Written Ranges: Trp. 1 (A) , Trb. (G) , Alto (C)

SCM-1096-00 Gr. 2.5 'Another Day in Paradise' by Paul Lee
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This easy-play chart combines a 16th note rock feel with brass figures and a flowing unison saxophone counter melody. The bridge lightens up to an eighth note rock feel then returns in full glory to the whole ensemble. There are no improvised sections except for the aggressive guitar solo over the ensemble at the end. Written solos. Written Ranges: Trp. 1 (G) , Trb. (G) , Alto (Bb)

SCM-1085-00 Gr. 4 'Bad Ole' Blues' by Mike Carubia
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This one starts with a slow sax unison melody leading to a full sax soli restatement of the main theme. A change to "Double Time" sends the Tenor Sax on a 3 chorus romp followed by a Bass solo. A soft ensemble chorus leads to a chorus and a half in classic "shout chorus style". 12 bar blues form in Ab major. Written solos provided. Written Ranges: Trp. 1 ( Bb) , Trb. (Gb) , Alto (C)

SCM-1081-00 Gr. 3.5 'At The Oasis' by Andy Farber
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Andy has produced another great chart in a Latin-Swing style popular throughout jazz history. "Caravan", "Night in Tunisia" etc. Written solos for Trumpet. A Unique and Exotic Sounding chart for your band. Written Ranges: Trp. 1 (A), Trb. (F) , Alto (B)

SCM-1086-00 Gr. 3 'New Mambo Loops' by Ray Ortiz
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If you need a "Hot Latin Jazz" chart this one will give you all of that and more. Solos are on one chord change allowing you to give your budding soloists a chance to blow. Easy ranges, a strong repeated melody, hot solo backgrounds and short vibrant Montunas. An open drum solo leads back to Letter A to a Fine. This one won’t need much rehearsal but provides a big payoff in sound. Revised from 2003. Written Ranges: Trp. 1 (G) , Trb. (F) , Alto (C)

SCM-1079-00 Gr. 3 'Mr. GK (A Tribute to Gene Krupa)' by Mike Carubia
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Originally written for a media project and re-scored for school bands, this Drum Feature will please audiences as well as your students. There is a short written trumpet solo, w/ plunger, but it's primarily a drum feature with solid band ensemble sections to drive this one along. This is an easy play with a big impact. (You may hear this one on TV, or in a movie someday) Written Ranges: Trp. 1 ( A) , Trb. (G) , Alto (E)

SCM-1080-00 Gr. 3 'The Christmas Spirit (Traditional)' by Mike Carubia & Carl Strommen
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Smart Chart's first seasonal entry in our catalogue for Jazz Ens. should be a popular one. Co- written by Mike Carubia and Carl Strommen, this arrangement features 5 well know Christmas tunes, Oh Tannenbaum, Angels We Have Heard On High, The First Noel Silent Night and Joy To The World. Written Ranges: Trp. 1 ( G) , Trb. (F) , Alto (D)

SCM-1083-00 Gr. 4 'Reciprocity' by Andy Farber
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Andy has really nailed the early and mid 60s Blue Note sound. In the "Concerto Grosso" style ( Trumpet, Tenor, Trombone trio melody) with the band taking on an accompaniment role until the last Ensemble section. Written solos for Trumpet and Tenor Sax. If you like the music of , Benny Golson, Art Farmer, and JJ Johnson, this one's for you. Written solos are provided if needed. Written Ranges: Trp. 1 ( A) , Trb 1. (G) , Alto (C#)

SCM-1077-00 Gr. 3.5 'What Is That?' by Mike Carubia
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A driving hard rock tune with a touch of Thad sprinkled about the chart. The form is 16 bar Blues in F major with solo space available for any of your soloists. A solid funky melody, with "Thadian" transitions followed by solos and a driving shout chorus. If you liked Buffalo Wings, you'll like this one. Written Ranges: Trp. 1 ( A) , Trb.1 (F) , Alto 1 (D)

SCM-1082-00 Gr. 3.5 'Space Junk' by Mike Carubia
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This chart has an early 60s even 1/8th jazz feel ala "Maiden Voyage" with some stronger rock elements added at times. The solo sections are based on three easy Dorian scales which make solos a breeze for the average high school student. Written Ranges: Trp. 1 ( Bb) , Trb. (G) , Alto (Db)

SCM-1078-00 Gr. 3.5 'Big Dipper' Comp. by Thad Jones/Arr. by Mike Carubia
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One of Thad Jones' most recognizable compositions re-scored in the key if F concert. (Original was in G). This friendly 16 measure blues form is very playable and features plenty of mid-range full ensemble sections. Written solos for Tenor Sax and Trumpet are provided. Written Ranges: Trp. 1 ( Bb) , Trb. (F) , Alto (C)

SCM-1084-00 Gr. 4 'Two As One' Comp. by Thad Jones/Arr. by Mike Carubia
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This beautiful Ballad was one chart Thad wrote in the 1970's and never recorded until Mel Lewis recorded it in 1978 on "Naturally" (Tel-Arc Records) A feature for your Alto/Soprano player, this chart went under the radar for too long. A beautiful melody, sophisticated harmonies and an awesome 16 bar "Shout Chorus" make this one a must in your library. Just 2-1/2 minutes of sheer beauty and power. Written Ranges: Trp. 1( A) ,Trb 1, (F) , Alto 1 (E)